Award Sounds

It's odd what you don't notice when looking at the detail.

I used to check my site stats every couple of days. I knew this wouldn't continue, but I've had some fun trying to guess what readers were actually searching for, despite the search terms entered.

Part of the reason I wanted to move away from looking at them so often is that I quickly lost sight of what brought readers to this site. I could see from day to day, but not what counts over a few months.

Sometimes it's easy to get lost in more complicated structures and then a song brings back the joy of a simple structure. A lot of pop/rock songs have been based around three chords, hey some popular songs had only two. That should be no surprise. I'd expect most readers to already know that.

But when was the last time you wrote a song using just three chords?

I'm glad that Kontakt and Logic work together. I just wish it were easier.

Versions

The upgrade to Logic 8 has helped a lot. For me, the Logic upgrade was a no-brainer. I waited a couple of moths to see what the bug reports were coming through, then took the plunge. Regardless of how it interacts with Kontakt, the Logic upgrade was worth it. If you include the tighter integration, then it becomes even better.

Templates

Guitar Player featured an article back in April 2006 about 99 ways to Play Better Guitar.

I've just read it again and it's still as relevant now as it was then. I'm now curious how many of them I do on a regular basis.

I like it when something just works, but I always feel a bit ambivalent when I can't really notice it working.

The Kit

In this case, I've just been using the Radial Engineering Reamping Kit. It consists of two main components (the J48 active phantom DI and the X-Amp amp driver) plus a power supply for the X-amp and a plastic box to hold it all in.

Plugging In for Re-Amping

I've been looking for a nice small electronics project so I took some time out to build a new guitar fx pedal. I've never really seen the point of a fuzz pedal, always seemed to deteriorate the signal too much for my liking. I do like boost pedals, especially nice clean ones that push the preamp just to the point where it starts to distort the signal nicely.

Triboost

Compressors are regularly used to tame errant dynamics or to increase the perceived volume of a track. As well as squashing the audio, the compressor can be used to bring out some elements more than others.

Letting the attack through

However, I love putting an ordinary audio track through a plug-in and working through the presets, especially those presets that it's not designed for.

I've talked about tremolo as a musical feature before, this time I want to go into more detail.

First things first, let's sort out the guitarists: I don't mean using the tremolo arm/whammy bar or whatever you want to call it ("handle" as my girlfriend called it - and no she won't be picking up my guitars for a while). The whammy bar creates a vibrato feature, not a tremolo. Vibrato alters pitch.

Amplitude

Articles 41-50 in the Musical Creativity Series